Monday, December 05, 2016

What's in a name?

Sometimes it's not until I change a character's name that he/she comes to life.
Another thing about names, if a character has a name that is too modern or old fashioned for the time period, it bothers me. Although names from the turn of the last century are back in vogue to have a four-year old named Heather today would not seem right. Her name would more likely be Ella, Grace, Harriet, Marion. Although class and region also play a part.

When I first submitted SHOT IN DETROIT to an agent, he balked at the name Violet. He said it was too old-fashioned. Well, he was partially right. It was not the right name for a 40 year old woman but it would have be okay for her grandmother or daughter. At the time I had a section in the novel about how as a kid people called her Violent instead of Violet. I eventually took it out but the name had stuck by then.

Certain names have too great a connection with a famous person to use unless you are commenting on it.

What are some of your favorite character names? I am going with Merricat Blackwood (WE HAVDE ALWAYS LIVED IN A CASTLE and Bo Radley (TO KILL A MOCKINBIRD).Has a chartacter's name ever ruined a story for you?

Friday, December 02, 2016

Chemo Demo at SHOTGUN HONEY

http://shotgunhoney.com/fiction/chemo-demo-by-patricia-abbott/#more-6054

Friday's Forgotten Books, December 2, 2016

TWO WEEKS UNTIL MARCIA MULLER/BILL PRONZINI DAY


 Bonjour Tristesse - Francoise Sagan (archived review of Ed Gorman)
In the summer of 1958 I was sixteen years old and going through my first real heartbreak. My only solace was in books and movies. Seeing people was too painful. I mention this because my state of mind had a good deal to do with my reaction to a slender Dell paperback I'd been hearing about.

Bonjour Tristesse had been written by a seventeen-year-old French
schoolgirl and it had the good fortune to become a scandal in both
Europe and
the United States. The story concerned seventeen-year-old
Cecile whose wealthy and handsome father is what one might call, in
crude Yankee tongue, an ass-bandit. His latest young thing is Elsa whom
Cecile likes because she's the kind of trivial beauty her father will dump after a few months. But then Anne appears and Cecile must plot to get rid of her. Anne is serious competition to Cecile. She will take
Cecile's father from her, at least mentally and spiritually. From here the story deals with Cecile's attempt to destroy a fine woman--and one of her deceased mother's best friends--before her father falls in love
with her. The end is tragic.

The novel is ab
out pain and betrayal and loneliness and is told so simply and directly it has the effect of a stage monologue. It was condemned by most of the old farts--the French Catholic novelist Francois Mauriac reviewed it and sounded as if he was making the case for Sagan's execution--while the more charitable critics found it
earnest and compelling if not quite as important as all the fuss would have it.

There was an Iowa angle, too. Otto Preminger discovered eighteen-year-old Jean Seberg from Marshalltown, Iowa and starred her in his catastrophic production of St. Joan. The critics loved her melancholy beauty (who wouldn't?) but she certainly wasn't up to a role this difficult.
This could have ended her career but she was quickly cast in Bonjour Tristesse--which wasn't much of a movie--and did a fine job. Later she would become a French film icon when she did Breathless with Jean Paul Belmondo.

But Seberg had a troubled life very much like that of a Sagan heroine. At least one of her husbands beat her and J. Edgar Hoover had his creeps stalk her here and in France. He tried to destroy her by feeding tales to the press of how she just might be seeing a black man and showing a definite interest in left-wing politics. She died at
forty-one in circumstances that the authorities believed pointed to suicide. She had long struggled with depression.

I followed Sagan's career to the end because Bonjour had given me so much comfort that terrible summer. In France she was seen, at least early on, as a kind of J.D. Salinger, though I always thought her take
on this vale of
tears was far richer than his. And by the time she wrote Those Without Shadows a few years later she was far out of his league. And she certainly never disappointed the media. Here, from
Wikipedia, just a bit of her life story:

Personal life Sagan was married twice; to Guy Schoeller ( married
13 March 1958, an editor with Hachette, 20 years older than Sagan, divorced June 1960), and to Bob Westhof ( a young American playboy and would-be ceramist, married 10 January 1962, divorced 1963.

Their son De
nis was born in June 1963.)[3] She took a lesbian longer term lover in fashion stylist Peggy Roche; and had a male lover Bernard Frank, a married essayist obsessed with reading and eating. She added
to her self-styled "family" by beginning a long-term lesbian affair with the French Playboy magazine editor Annick Geille, after she approached Sagan for an article for her magazine.[1]

Fond of traveling in the United States, she was often seen with Truman Capote and Ava Gardner. She was once involved in a car accident in her Aston Martin sports car - (
14 April 1957) - which left her in a coma
for some time. She also loved driving her Jaguar automobile to Monte Carlo for gambling sessions.

Also, in the 1990s, Sagan was charged with and convicted of possession of cocaine.
Sagan was, at various times of her life, addicted to a number of drugs. She was a long-term user of prescription pills, amphetamines, cocaine, morphine, and alcohol.

Sergio Angelini, COP OUT, Ellery Queen
Yvette Banek, THE BIG THAW, Donald Harstad
Joe Barone, Christmas Carol Murder, Leslie Meier
Les Blatt, TAKEN AT THE FLOOD, Agatha Christie
Elgin Bleecker, Jolie Blon's Bounce James Lee Burke
Brian Busby, THE GENTLE FRAUD, Katherine Roy
Bill Crider, MAN IN THE SHADOW, Harry Whittington
Martin Edwards, POLICEMEN IN THE PRECINCT, E.C.R. Lorac
Curt Evans, SO MANY DOORS, E.R. Punshon
Richard Horton, THE SIEGE OF THE SEVEN SUITORS, Meredith Nicholson
Jerry House, THE SPEAR, James Herbert
George Kelley, THE COMPLETE BATTLES OF HASTINGS, 1&2, Agatha Christie
Margot Kinberg, THE SECRET RIVER,  Kate Grenville
Rob Kitchin, PAVEL AND I, Dan Vyleta
B.V. Lawson, A COUNTRY KIND OF DEATH, Mary McMullen
Steve Lewis, FOOTPRINT OF SATAN, Norman Berrow
Todd Mason, Uncollected Wilma Shore Stories
J.F. Norris, THE MAN WHO DIDN'T EXIST, Geoffrey Homes
Matthew Paust, MIDNIGHT IN THE GARDEN OF GOOD AND EVIL, John Berendt
James Reasoner, TRIPLANETARY, Edward Smith
Richard Robinson, "comfort reading"
Reactions to Reading, VANISHING POINT, Pat Flower
Gerard Saylor,  OTHERS OF MY KIND, Gerard Saylor
Kerrie Smith, A WOMAN MUCH MISSED, Valerio Varesi
Kevin Tipple, THE HOUSE AT SEA'S END, Elly Griffiths
TomCat, MURDER IN THE RED CHAMBER, Ashibe Taku
TracyK, DUPE, Liza Cody

Thursday, December 01, 2016

Friday, November 25, 2016

Friday's Forgotten Books, November 25, 2016






Todd Mason will have the links right here. Thanks, Todd.

Wednesday, November 23, 2016

Wednesday Night Music


My Favorite Album Cover: THE MAMAS AND THE PAPAS DELIVER

Patti's


One of my favorites. What is one of yours? (I will post it on here if you give me the title).

Tuesday, November 22, 2016

Tuesday Night Music


Forgotten Movies: THREE WOMEN

Shelly Duval, now a target of horrible men like Dr. Phil, was the glue that made THREE WOMEN work. Robert Altman made one of his strangest movies with this one. Shelly and Sissy Spacek work in at a retirement home and over the course of the film change personalities. I wondered if it would hold up, but it did. Shelly is just odd enough to bring it together. Sadly. she got more odd over time. The third woman is Janice Rule who never quite makes sense to me.